Old Man Holding Dead Baby Muslim Man Holding Dead Baby Up
| Man Bites Domestic dog | |
|---|---|
 French flick poster | |
| Directed by | Rémy Belvaux André Bonzel Benoît Poelvoorde |
| Screenplay by | Rémy Belvaux André Bonzel Benoît Poelvoorde Vincent Tavier |
| Story by | Rémy Belvaux |
| Produced by | Rémy Belvaux André Bonzel Benoît Poelvoorde |
| Starring |
|
| Cinematography | André Bonzel |
| Edited by | Rémy Belvaux Eric Dardill |
| Music by | Jean-Marc Chenut Laurence Dufrene Philippe Malempré |
| Production | Les Artistes Anonymes |
| Distributed by | Acteurs Auteurs Associés (AAA) (France) Roxie Releasing (United states) Metro Tartan Films (U.k.) |
| Release dates |
|
| Running time | 95 minutes[1] 92 minutes[2] (Edited cutting) |
| Country | Kingdom of belgium |
| Language | French |
| Upkeep | BEF1 one thousand thousand (USD$33,000) |
| Box office | USD$205,569[three] |
Man Bites Dog (French: C'est arrivé près de chez vous , literally "It Happened Near Your Home") is a 1992 Belgian black comedy law-breaking mockumentary written, produced and directed by Rémy Belvaux, André Bonzel and Benoît Poelvoorde, who are as well the film's co-editor, cinematographer and lead actor respectively.
The motion-picture show follows a coiffure of filmmakers following a serial killer, recording his horrific crimes for a documentary they are producing. At first dispassionate observers, they discover themselves increasingly caught up in the chaotic and nihilistic violence, eventually condign accomplices. The flick received the André Cavens Honour for Best Film by the Belgian Picture Critics Association (UCC). Since its release, the picture has become a cult movie, and received a rare NC-17 rating for its release in the U.S.[4]
Plot [edit]
Ben (Benoît Poelvoorde) is a witty and charismatic but narcissistic and easily-enraged series killer who holds forth at length nigh any comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend Valerie (Valérie Parent). A movie coiffure joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail.
Ben ventures into flat buildings, explaining how it is more cost-effective to assault old people than young couples because the elderly accept more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to accept a eye attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and rampage, shooting, strangling, and beating to death anyone who comes his manner: women, illegal immigrants and postmen (his favorite targets). He enjoys killing a postman at the start of the month because they tend to accept parcels with money and other goods he can steal; enjoys killing women because they don't fight back; and enjoys killing immigrants because he'south a total racist (he jokes near having murdered two Muslims and making sure to entomb their bodies in a wall that faces Mecca, and amuses himself by checking out the genitals of a blackness security baby-sit afterward he's shot the man in the head).
The camera crew becomes more than and more involved in the murders, starting out as silent accomplices but gradually assisting Ben in his killings. When Ben invades a dwelling and kills an entire family unit, they aid him concord downwards a young boy and smother him with a pillow, all the while keeping up a casual conversation. During filming, two of Ben'south crew are killed; their deaths are subsequently called "occupational hazards" by a crew member and off-handedly mourned. At the abased edifice that Ben uses for a hideout, the crew encounters two Italian criminals or gangsters also hiding out in the edifice. Ben kills the Italians before discovering that they were actually also existence filmed past a competing documentary camera crew. Ben and his photographic camera crew accept fun taking turns as they shoot the rival crew members to expiry and record the whole thing.
While fooling around with crew, when Ben takes a couple having sex activity hostage in their own home, he holds the man at gunpoint while he and the coiffure gang-rape the woman. The post-obit morning, the photographic camera dispassionately records the backwash: the adult female has been butchered with a knife, her entrails spilling out, while the husband had his throat cut. Subsequently, Ben's girlfriend and family receive death threats from the brother of one of the Italian criminals who Ben had killed earlier. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they human activity as though zippo horrible has happened, standing to offer Ben gifts. The film crew disposes of the body for Ben.
Later a victim flees before he tin be killed, Ben is arrested, but he escapes. At this signal, someone, presumably the brother of the dead Italian forth with other members of the two dead Italians' criminal arrangement, starts taking revenge on Ben and his family unit. Ben discovers that his girlfriend Valerie has been killed: a flautist, she has been murdered in a particularly humiliating style, with her flute inserted into her anus. He later finds that his parents met the same fate, his female parent, who owns a shop and is "not a musician", beingness sodomized with the end of a broomstick. This prompts Ben to decide that he must exit. He meets the photographic camera crew to say bye, only in the middle of reciting a poem, he is abruptly shot dead past an off-camera gunman. The camera coiffure is then picked off one by i. After the camera falls, it keeps running, and the film ends with the expiry of the fleeing sound recordist.
Cast [edit]
- Benoît Poelvoorde as Ben
- Valérie Parent as Valerie
- Rémy Belvaux as Remy (Reporter)
- André Bonzel as Andre (Cameraman)
- Jean-Marc Chenut every bit Patrick (Audio Human #ane)
- Alain Oppezzi as Franco (Audio Man #two)
- Vincent Tavier as Vincent (Sound Man #3)
Product [edit]
Man Bites Dog is shot in blackness and white on 16mm moving picture and was produced on a shoe-string budget past iv student filmmakers, led by director Rémy Belvaux. The picture show'south writers, Belvaux, Poelvoorde and Bonzel, all announced in the moving picture using their own first names: Poelvoorde as Ben, the killer; Belvaux as Rémy, the managing director; and Bonzel every bit André, the camera operator. The genesis of the idea came from shooting a documentary without any coin. Man Bites Dog is rated NC-17 past the Motility Picture Association of America for "strong graphic violence".[five]
Although it is never shown or suggested in the film itself that Benoit kills a baby, the original poster features an image of a baby'south pacifier with spattering blood coming from an unseen target at the finish of Benoit's gun. For foreign release posters (not including the Region iv/Australian release), the baby's pacifier was changed to a set of dentures.[ commendation needed ] In the R-rated version of the film that was made for the U.Due south. video audience (equally NC-17 rated films were never allowed to exist stocked at Blockbuster Video), the scenes where Ben and the coiffure piece of work together to kill a young child are excised; the following scenes where Ben rapes a adult female and the camera crew joins in are included but edited to have less nudity and gore.[ citation needed ]
Release [edit]
![[icon]](https://upload.wikimedia.org/wikipedia/commons/thumb/1/1c/Wiki_letter_w_cropped.svg/20px-Wiki_letter_w_cropped.svg.png){kind=small} | This section needs expansion. Yous can assistance past adding to it. (December 2018) |
Theatrical release [edit]
Homo Bites Dog was screened at the 1992 Cannes Film Festival where it won the International Critics' Prize,[half dozen] the SACD award for Best Feature and the Special Laurels of the Youth for directors Rémy Belvaux, André Bonzel and Benoît Poelvoorde.[7] The film's controversial content and extreme violence was off-putting to some viewers, and resulted in the film being banned in Sweden.[eight] In 2003, the video was banned in Republic of ireland.[9]
Critical response [edit]
On review aggregator Rotten Tomatoes, Human being Bites Domestic dog holds an approving rating of 74%, based on 19 reviews, and an average rating of 7.17/10.[10]
Kenneth Turan from the Los Angeles Times highly praised the film upon its release, writing, "Man Bites Domestic dog defines audacity. An assured, seductive chamber of horrors, it marries nightmare with humor and then abruptly takes the laughter away. Intentionally disturbing, information technology is close to the last give-and-take about the nature of violence on film, a troubling, often funny vision of what the movies have done to our souls.... The deserving winner of the International Critics Award at Cannes ..."[11] Motion-picture show critic Rob Gonsalves chosen the moving picture "[an] original, a stark and (sad) biting work far more complex, both stylistically and thematically, than commencement meets the eye."[12] Stephen Holden of The New York Times called the film "a grisly sick joke of a pic that some will find funny, others only appalling." Holden concluded his review by stating that the moving-picture show "gets carried away with its own cleverness. It makes the audience the butt of a nasty practical joke."[13]
Meet also [edit]
- Truth In Journalism
References [edit]
- ^ "Human being BITES Domestic dog (18)". British Board of Film Classification. 22 September 1992. Retrieved 16 January 2013.
- ^ "Homo BITES DOG (18)". British Board of Film Nomenclature. 2 July 1993. Retrieved xvi January 2013.
- ^ Human being Bites Dog at Box Office Mojo
- ^ "Man Bites Dog". The A.5. Club. 28 Jan 2010.
- ^ Gentilviso, Chris (5 October 2010). "20 Years of NC-17 Ratings". Time . Retrieved 29 March 2019.
- ^ "Man Bites Canis familiaris". Benchmark Collection. Retrieved 29 March 2019.
- ^ Fossurier, Yann (20 May 2017). "Il y a 25 ans, "C'est arrivé près de chez vous" et Poelvoorde enflammaient le Festival de Cannes". French republic 3 Hauts-de-France (in French). Retrieved 29 March 2019.
C'est arrivé près de chez vous est reparti de Cannes avec trois récompenses : le prix SACD , le prix de la critique internationale et le prix spécial de la jeunesse.
- ^ Tan, Declan (14 September 2012). "twenty Years On: Human being Bites Domestic dog Revisited". The Quietus. Retrieved 29 March 2019.
- ^ "No.24 - 227-235 - 25032003" (PDF). Iris Oifigiúil. 25 March 2003. Retrieved five March 2018.
- ^ "Man Bites Dog (1992) - Rotten Tomatoes". Rotten Tomatoes.com. Fandango. Retrieved 28 June 2019.
- ^ TURAN, KENNETH (2 Apr 1993). "Movie REVIEW : 'Man Bites Dog': Seductive Nature of Violence : The ragtag production allows united states of america to cozy up to its charming killer, and so, realizing his heinousness, gag on our self-satisfied black laughter". Los Angeles Times.
- ^ Nieporent, Ben. "Movie Review - Man Bites Dog - eFilmCritic".
- ^ Holden, Stephen (9 October 1992). "Review/Film Festival; Mad-Dog Violence on Television receiver: Sensationalism or Spoof? - The New York Times". The New York Times . Retrieved 8 January 2019.
Bibliography [edit]
- Roscoe, Jane (2006): Homo Bites Dog: Deconstructing the Documentary Wait. In: Rhodes, Gary Don/Springer, John Parris (eds.) (2006): Docufictions. Essays on the intersection of documentary and fictional filmmaking. Jefferson, NC: McFarland, p. 205-215.
External links [edit]
- Man Bites Dog at AllMovie
- Human Bites Dog at IMDb
- Man Bites Dog at Box Role Mojo
- Homo Bites Domestic dog at Rotten Tomatoes
- Human being Bites Domestic dog: Cinema of Entrapment an essay by Matt Zoller Seitz at the Criterion Collection
Source: https://en.wikipedia.org/wiki/Man_Bites_Dog_(film)
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